凯萨琳•利伯夫斯凯亚

发表于 2015-09-30

Katherine

凯萨琳•利伯夫斯凯亚影片与多媒体艺术家,主要在蒙大拿与纽约活动。从80年代参与实验摄影开始,她创作了许多单轨道影片、影片装置作品与影片表演,并在世界各大艺术场地演出。从2001年起,她主要与作曲家与声音艺术家合作固定萤幕作品以及装置作品,以及现场影像与声音演出;她希望透过现场影像创作即兴的视觉「音乐」。她经常与美国简约作曲家菲尔•尼布洛克等音乐家合作。她于2014年获得蒙大拿魁北克大学的艺术实践博士,研究现场影像即兴创作。

Katherine LIBEROVSKAYA is a video and intermedia artist based in Montreal, Canada, and New York City. Involved in experimental video since the 80s, she has produced many single-channel videos, video installation works and video performances which have been presented at a wide variety of artistic venues and events around the world. Since 2001 her work predominantly focuses on collaborations with composers and sound artists for fixed screen works and installations and notably in live video+sound performance where her live visuals seek to create improvisatory “music” for the eyes. Frequent collaborators include Phill NIBLOCK, Al Margolis/If,Bwana, Leslie Ross, Zanana, Kristin Norderval, Hitoshi Kojo, David Watson, David First and o.blaat (Keiko Uenishi). Since 2003 she has explored improvised video with numerous artists including: Monique Buzzarte, Anne Wellmer, Tom Hamilton, Margarida Garcia, Manuel Mota, Anthony Coleman, Barry Weisblat, Mazen Kerbaj, murmer, André Gonçalves, Giuseppe Ielasi, Alessandro Bossetti, Andre Eric Letourneau, Jason Khan, Jim Bell, Doug Van Nort, among many others. Recent projects have involved: Leslie Ross, Shelley Hirsch, Chantal Dumas, Richard Garet, Dorit Chrysler, Emilie Mouchous, Erin Sexton, Corinne Rene and Philippe Lauzier, and Guy De Bievre. Recent solo projects include the audiovisual installations “NoizeBreeze”(2014), “sonimaginations tissulaires” (2014), “Air-Play” (2013), “Amplifontana” (2012) and “Shines” (2008-09). Concurrently she curates and organizes the Screen Compositions evenings at Experimental Intermedia, NYC, since 2005 and, since 2006, the OptoSonic Tea salons at Diapason, NYC, and in various locations in Europe and elsewhere with OptoSonic Tea On the Road. In 2014 she completed a PhD in Art Practice entitled “Improvisatory Live Visuals: Playing Images Like a Musical Instrument” at the Universite du Quebec in Montreal (UQAM).